Anyone Who Is Anyone, Parkett 6, 1985
Unbelievable and believable have become the same thing.
Any view point
is as good as any other. They used to call it relativity and now they
call it
the closest thing to the real thing. For one year he rented movies -
VCR
videos - and watched them on a twenty-five inch color Sony monitor at
her
apartment.
He watched the movies alone, late at night after she had gone to bed.
He
watched two- hundred-and-seventy-five movies that year. He rented the
movies
from World of Video. Part of the routine was going to the video store
and going
over and selecting what he could watch that night. He usually spent
about
fifteen to thirty minutes picking something out. The people who worked
at the
store knew him. He was their first customer. They had the impression
that all
he did was watch movies. Once, one of the employees asked him what he
did.
He told him he was a thief. He started to laugh but then said, no, I'm
only
kidding, a joke
"No, really", he said, "I'm not doing anything right
now".
Of course he lied. All he was doing was watching videos. World of Video
was
arranged into sections. Just like a library. New Releases. Horror.
Sci-Fi. Gay and Adult films. Music videos. Musicals. Generals. Nostalgia.
Foreign Language. Comedy. Children's Films. How-To Films. Two-for-One.
Sleepers. And Documentaries.
You could reserve a film if it was out or if they didn't carry a particular
title you could special order it from a catalog.
Sometimes before picking out a movie he'd talk to other customers about
what
they were going to watch.
D o n ' t L o o k N o w - You going to watch that alone?, he'd ask.
"Yes. You ever see it?", the other customer would ask back.
"Twice, it's scary. Very scary. Donald Sutherland. Julie Christie.
Venice, Italy."
"What's it about?", the customer would ask.
"Guilt", he'd say. "Delayed reaction to a daughter's
death.. She drowns.
Accidentally in the backyard. In two feet of water. You know, the father,
Sutherland, he can't believe it. Can't believe she's gone. Thinks it's
his
fault. Should have been able to do something about it. Shame. He thinks
he
keeps seeing her alive, in the streets of Venice. They're there in Venice
I
think for a vacation. He thinks he keeps seeing his daughter on the
bridges, the
little streets, disappearing into side streets, the dark spots, into
the alley
ways.
"He tries to follow her. Chases after her. He doesn't catch up
to what he
sees till the end. Like a dream, only he's awake, doing it for real.
And you
know, the thing is she's not an illusion. She's not someone who he just
thinks he sees. She's there. If he could only catch up to her. Why is
she
running away he asks himself. Why won't she stop? Doesn't she know it's
me? Her
father?"
The customer asks him if he has any children.
"One daughter", he says, ":She lives with her mother
in Pittsburgh".
"Do you see her?", the customer asks.
"No, I haven't seen her in eight years. I see photographs of her.
Once a
year, around Christmasâ€|the mother sends me a photograph
of her".
"What's her name?"
"Patricia. She's Patricia in her photograph. That's how I know
her".
And that's what happens too. The talk goes on and away from the movies.
The
talk becomes independent from what it started out to be. Striking up
the
conversation. The conversation is struck up. And what's struck up becomes
part
of a new neighborhood ceremony. A strange new kind of cruise.The next
day the same thing.
"How was it?", he asks.
"Unbelievable.", the customer says. "I couldn't believe
it. The little girl
turned out to be a midget! It was real. The whole thing was so real".
"The real ones, they're the scaries", he says.
"I thought the little girl was alive", the customer says.
"So did the father", he says.
"Jesus, could you believe the size of the knife that midget stuck
him with?"
"Could you believe where?", he says.It started out when she
gave him a home. Really the first he'd ever had.
The first rooms he could go to when it was time to come home. It's what
she
provided, and to go home is what he had always wanted.
He had always wanted to go back to a room where he could lie on a couch
and
watch t.v. and in the t.v. he could put a video movie. She gave him
these
things. She gave him what he wanted and had never had. And what had
happened
was, in the end, she wanted to kill him for what she had given him.
"I'm sorry",
she said, "it happened and you happened in it. If I had seen you
one more
time on the couch watching movies I would have killed you. I wanted
to kill
you. I'm sorry, but that's what I felt". I'm sorry too. That's
what he said.
He said it to himself. He said too, he was still glad; it didn't matter
that
she felt those "things" turned him into half a person.
"I like coming home and doing nothing", he said. "I didn't
want to come
home and talk about the day and I didn't want to talk about us or our
relationship. I didn't want to have sex. I didn't want excitement. And
I didn't want
to be exciting.
I needed a chance. I needed to know what the sensation of normalcy was.
I
needed to know how the other half lives".He should have stayed
in New York and tried to work things out with her.
But when he met her to talk and maybe try to make up, what was him went
out of
his body. He couldn't physically function. He started to feel like he
was
tripping. His muscles wouldn't obey his commands. His heart actually
hurt and
started to pump too much adrenaline up the back of his neck. He couldn't
hear
himself talk and it scared him. He thought Jesus, I haven't felt this
nuts
since drugs. He told himself he had to go to another city. To the other
side
of the country. To Los Angeles.
He went to Kennedy Airport five hours before his plane was scheduled
to take
off. He sat in an airport bar. He had one beer. The waitress was
understanding. It was Saturday. Not too many customers. The waitress
and he talked.
He told her how he couldn't hear the words he was speaking. Told her
how he
thought the words seemed to come out of someone else's mouth. She said
aliens.
He said disbelief. He told her about the VCR movies he'd been watching
for
the last year and the t.v... About all he wanted to do was lie down
on the
couch and watch a movie and have a drink. About how he wanted to watch
as many
movies and drink as many drinks as he could before he fell asleep. He
told
her how he wanted to do this every night until he got sick or kicked-out.
She
asked which it was. He told her both. She said she wished she could
watch
movies and drink for a year. "Just like you," she said. She
asked if it was
worth it. He told her he had seen some great movies. "The sickness
will go
away if I can stop drinking", he said. He asked her if he watched
movies and
drank in her house would she kick him out. She said she'd probably join
him. He
said to himself, hmmmâ€|want to move to America, to the Pacific,
to Southern
California, want to go into artificial exileâ€|?
But he couldn't hear the words come out of his head. He said to himself,
it's funny but I'll never see this woman again. Too bad I have to go.
I wonder
what it would be like to watch movies and drink at her house.
Pan Am. One hundred and fifteen dollars. One way. Cheap. The movie on
the
plane was "Country". Jessica Lange. Sam Shepard. About sticking
it out.
Staying put. Fighting for your rights. Fighting for your family and
who you
are. Fighting for your land. Traditions. Values. Right against wrong.
He
drank Canadian Club. Five of them. Lots of sugar. He watched the movie.
He
started to think about sex. How he wanted his bollacks sused up by sub's
or
gay ladies, true goddesses or an angel from hell. He thought about french
and
greek sessions, heavy squatting or queening, tv's, trims and photo party's.
He started to think about how his thoughts didn't sound like him. He
started
thinking about personality. And thinking about how a personality can
be
different from the person who has it. It's not all about bringing what's
inside out
he thought. These days you're on your own. What it looks like and what
it
is. If you don't hold up a mirror or a silver cross to what you see,
you're in
trouble. He looked at his drink. He looked at the movie. Who are these
people? He asked himself. What are they talking about? What "Country"?
The
waitress was right. Aliens. He told himself he had to be protean. He
told
himself he could have style and be unreasonable at the same time.
In Los Angeles he started staying at the Magic Hotel, up behind Hollywood
Boulevard on Franklin Street. He stayed in a small single room in the
rear, away
from the traffic. He stayed in the room for forty-eight hours before
coming
out to get something to eat or drink, before getting a newspaper, before
seeing what it might be like to sit by the pool. He didn't make any
phone calls to
her for what was about three days and he didn't take or ask for any
messages
for the same amount of time. The people who worked at the hotel left
him
alone. They were very nice people. He was confused about leaving her
and New
York and his friends. He was homesick. He wanted to go to Paul's Lounge
on
Third Avenue there and watch a movie on the Advent, on of the movies
Paul could
pirate off HBO or Cinemax with his black box. Every night in the Magic
Hotel he
looked at the t.v. listing for New York. Like he would say to himselfâ€|it's
two a.m. in New York, there's a choice. It's either "Escape from
New York" on
Cinemax, or "The Big Carnival" on Channel Nine's, "Nine
All Night".
That would be a tough one he'd say. "Escape from New York"
I've seen three
times and "The Big Carnival", which I think was originally
called "Ace in the
Hole", I've seen three times. "If I was in New York, watching
one or the other
would be a tie-breaker".
There are sixteen schools of psychotherapy with sixteen theories of
personality and its disorders and the patients treated in one school
seem to do as well or as poorly as
patients treated in any other school.
He finally decided to put something up on one of his walls in his hotel
room.
He said, "Since I can't size myself up, I might as well size someone
else
up". He decided to put up a picture of Steve McQueen. One of those
big black
and white personality posters. This was the second time he had put a
poster of
Steve McQueen on a wall in a room where he lived. The first poster of
McQueen went up in 1964, in his bedroom in the house where he lived
with his
parents. He used to take a train into Harvard Square on Saturday and
go to a poster
store and pick out a poster of a Hollywood celebrity.
Someone or some company had just come out with these posters, big black
and white, thirty by forty inch posters for a dollar each. There were
about
twenty-five to choose from. These pictures were fresh. They were big.
They
were cheap. They were available. And if anything could be new, they
were new.
Picking one out and putting one up felt like something a young artist
should
do. Now the poster is up again, in the room where he's staying. Rather
than
recovering, he's being renewed through doing it again. He wants to name
the
unnamable and hear it named. He wants to see himself as a personality
instead
of as a person. He wants to see personality as an inexhaustible mystery
of the
signified separate from the mundane closed-off simulacrum of the world-sign.
Sure it's complicated, but anything to keep back the heavy hand of immanence.
Sure it's only a poster, but anything to keep from getting sucked up
in a
tornado - a void where after you come down, you have to decide all over
again
which is which, what is what, and who is who.